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brighten the corners
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We like simple design. We like to keep things clear and enjoy editing out all the unnecessary bits that cling to ideas, so you can call us minimalists, it’s OK. But we don’t like dry work. We believe design should be concept driven, personally formed as well as engaging and fun.

Over the years, we’ve worked with many clients including the Goethe-Insitut, the British Council, the Department for Children, Schools and Families, Accenture, and Laurence King Publishing, happily switching between public sector, corporate and cultural environments. All along we’ve resisted specialising. This is important to us, as we feel that doing the same thing over and over leads to formulaic responses, and they never quite work. And it keeps us on our toes, so that we don’t become “those guys who only do annual reports” or something equally scary.

We’ve won quite a few awards as well. Not just for posters, logos, programmes, websites or events we’ve designed, but most recently for the outcome of a university workshop. And we like to keep our hands in many pies: we self-publish and sell work in our online shop and teach Graphic Design at the University of Darmstadt.

For more information about who we are, why we have this name, our manifesto, how to brighten the corners, or a list of our awards, publications (print, online & TV/radio), talks, exhibitions and clients, click accordingly.
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All sorts
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Who we are
Brighten the Corners is Frank Philippin and Billy Kiosoglou.
But often it’s Frank, Billy, Boz Temple-Morris and Stéphan Barbé.

Frank, a German, and Billy, a Greek-New Zealander, met studying Graphic Design and set up Brighten the Corners after graduating from the Royal College of Art in London in 1999. We soon crossed paths with a Welsh-Iranian strategist named Boz, and a few projects later we moved into our Brixton studio. English, French, Bangladeshees and Germans pop by from time to time, to help out. Now we have a studio in Stuttgart as well.

To keep things simple we all speak English.
Frank was born in Stuttgart in 1967. As a teenager, he was the singer in a punk rock band as well as an aspiring goalkeeper. Frank discovered design during his 20 month-long civil service in a local magazine and soon developed a curious appreciation for the work of Neville Brody and the likes. However, the German educational system wasn’t quite ready for Frank’s radical approach to life drawing so he soon left the continent for London where he befriended a Greek/New Zealander with strange facial hair.

Frank went on to complete an MA at the Royal College of Art, during which he was shortlisted to design Royal Mail’s Millennium Stamp and where he designed his graduating year’s poster in manifesto style. He also completed a one-year research project at the Helen Hamlyn Centre on the subject of Small Print, before setting up Brighten the Corners. Today, Frank moves between Stuttgart, London and Darmstadt where he is a professor of Graphic Design.

Frank has curly hair.
Billy was born in Athens in 1973. His formative years were spent making covers for Scorpions compilation tapes on his bedroom floor or drawing heavy metal typefaces. In his free time he read comics or walked long distances with his dog. Aged twelve, Billy visited an Athens design agency with a friend and declared themselves available for work. Eight years later he travelled to the UK to study at Camberwell College of Arts, where he befriended a smartly dressed German.

After a 20-month long military service in Greece, Billy returned to London for an MA at the Royal College of Art. During his studies, he successfully undesigned his graduating year’s catalogue and was selected to design a publication for the college’s own imprint, Salvo. At his degree show, Billy was awarded the Oberon Book Award and produced a giant sheet of writing paper. In 2001 he joined Frank at Brighten the Corners.

Billy has curly hair.
Boz was born in London in 1967. His childhood summers were spent gazing at the stars over Tehran, during which he accumulated a large amount of notebooks. He also developed a curious appreciation in the work of Alejandro Jodorowsky, which many found particularly unsettling.

In 1993, having completed an English & Drama degree at Goldsmiths College and worked as an actor, Boz launched Death cigarettes, one of the most talked about brands of the decade. In 1996 Boz became joint Artistic Director of Primitive Science, an award-winning arts organisation commissioned by theatres and festivals all over the world. Today, Boz works as a consultant in brand communication as well as being a director of arts projects and a workshop facilitator.

Boz has curly hair.
Stéphan Barbé was born in Tarbes, in 1970. As a young man he displayed an uncanny knack for numbers and an understanding of how things worked. In his free time he read Tin Tin. When he was eleven, Stéphan was lost in a forest during a family pic nic. He was discovered in his bedroom one day later, but has never spoken about how he found his way home.

From 1989–1992, Stéphan studied economics in Angoulême, before becoming a love refugee, and moving to Germany. He has since worked on many small and large web projects in Germany. An avid iPhone user, Stéphan successfully entered the iTunes store with his ever popular Calc Tap App.

Stéphan has straight hair.
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Our Name
Before there was Brighten the Corners studio for design, there was Brighten the Corners, the album by Pavement. Although tracing the connection may seem difficult, the more persistent listener will find that repeated sessions of Type Slowly, Date w/ IKEA or Old to Begin will prove most rewarding.
Do not wait until some deed of greatness you may do,
Do not wait to shed your light afar,
To the many duties ever near you now be true,
Brighten the corners where you are.

Refrain

Brighten the corners where you are!
Brighten the corners where you are!
Someone far from harbor you may guide across the bar;
Brighten the corners where you are!

Just above are clouded skies that you may help to clear,
Let not narrow self your way debar;
Though into one heart alone may fall your song of cheer,
Brighten the corners where you are.

Refrain

Here for all your talent you may surely find a need,
Here reflect the bright and Morning Star;
Even from your humble hand the Bread of Life may feed,
Brighten the corners where you are.

Refrain
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Awards
Creative Review: The Annual 2010
(for Inbox, our 10 year anniversary poster set)

D&AD Design & Art Direction UK 2010
(Typography: Book Design)

TDC Type Directors Club Tokyo 2010
(In-Book Award, Experimental Work)

ADC Art Directors Club New York 2009
(Design Print Gold Cube Award)

TDC Type Directors Club Tokyo 2009
(In-Book Award, Logotype)

ADC Art Directors Club Germany 2009
(In-book Award, Typography)

ADI Design Award 2009
(Art & Design Institute of China Academy of Art)

Allianz Business to Arts Awards 2008
(Best Use of Creativity by a Business)

ADC Art Directors Club New York 2008
(Design Print: Newspaper, Trade/Consumer)

ADC Art Directors Club New York 2008
(Design Print: Corporate & Promotional Design)

D&AD Design & Art Direction UK 2007
(Brochures & Catalogues)

RBI Achievement Award 2007
(Marketing Campaign of the Year)

D&AD Design & Art Direction UK 2005
(Brochures & Catalogues)

Shortlisted for the Most Beautiful Book Award
(Stiftung Deutsche Buchkunst)

Ad Q Award for Outstanding Advertising 2004

The 100 Best Posters 2002

The 100 Best Posters 2001

Oberon Book Award 2001

Colonel Varley Memorial Award 1999

1st Prize RCA Environment Programme 1999

Royal Mail Millennium Stamp 1998
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Publications
ADI Graphic Design Annual Vol.2
240 Pages (May 2010)
Publisher: Art Design Institute of China Academy of Art

Idea No. 340: Forms of Practice
230 Pages (April 2010)
Publisher: Seibundo Shinkosha Publishing Co., Ltd.

Creative Review: The Annual 2010
A showcase of the year’s best work in advertising, graphic design and visual communication
96 Pages, (May 2010)
Publisher: Centaur Communications Ltd

88th Art Directors Annual 2009
Hardcover, 464 Seiten (Dezember 2009)
Publisher: Rotovision
ISBN: 978-tocome

3 Minutes – The Book
Designers Against Human Rights Abuse,
Subism, London (August 2009)

ADC Deutschland 2009
Hardcover, 650 Seiten (August 2009)
Publisher: Schmidt, H, Mainz
ISBN: 978-3874397766

Made & Sold
Paperback, 240 pages
Publisher: Laurence King Publishing (19 Oct 2009)
ISBN: 1856696286

Sourcebook of Contemporary Graphic Design
Hardcover, 600 pages
Publisher: Collins Design (1 May 2009)
ISBN: 0061704385

Business Cards 3: Designs on Saying Hello
Paperback, 272 Seiten (Juni 2009)
Laurence King (UK)
ISBN 978 1 85669 589 3

2 Colors: Low Budget, High Impact
Paperback 288 pages (April 2009)
Publisher: Maomao Publications / Page One Publishing
ISBN: 9789812456571

Book of the Year
Hardcover, 760 Seiten (April 2009)
Index Book, Barcelona
ISBN: 9788496309807

Creator’s Self Promotion
Paperback 160 pages (January 2009)
Publisher: Pie-Books
ISBN: 9784894446991

87th Art Directors Annual
Hardcover 464 pages (January 2009)
Publisher: Rotovision
ISBN: 9782888930228

Making Do Magazine
Issue 1: The Translation Issue
Publisher: Making Do

Color in Graphics
Hardcover 242 pages (December 2008)
Publisher: Page One / Maomao
ISBN: 9789812456632

Postcard
Hardcover 224 pages (September 2008)
Publisher: Laurence King
ISBN: 1856695697

Creative Card Design
Hardcover 160 pages (August 2008)
Publisher: Pie Books
ISBN: 9784894446779

Material, Process, Print
Paperback 208 pages (October 2007)
Publisher: Laurence King
ISBN: 1856695107

D&AD Annual 2007
Hardcover 600 pages (August 2007)
Publisher: D&AD
ISBN: 0954278445

The Layout Look Book
Hardcover 265 pages (April 2007)
Publisher: Collins
ISBN: 0061149756

Zoom In Zoom Out
Paperback 288 pages (December 2006)
Publisher: Victionary
ISBN: 9889822814

Tres Logos
Hardback 508 pages (December 2006)
Publisher: Gestalten Verlag
ISBN: 3899551575

Idea No. 316: The Conditions of Graphic Design
Paperback 264 pages (May 2006)
Publisher: Seibundo Shinkosha Publishing Co., Ltd.

Play Loud!
Paperback 140 pages (April 2006)
Publisher: Gestalten Verlag
ISBN: 3899551583

World Business Cards Today
Paperback 208 pages (February 2006)
Publisher: Pie Books
ISBN: 489444468

Introducing
Authors: Robert Klanten, Michael Mischler,
Boris Brumnjak
Paperback 240 pages (January 2006)
Publisher: Gestalten Verlag
ISBN: 3899550870

Problem Solved
A Primer in Design and Communication
Author: Michael Johnson
Paperback 288 pages (August 2004)
Publisher: Phaidon Press
ISBN: 0714844535

Business Cards: The Art of Saying Hello
Authors: Michael S. Dorrian, Liz Farrelly
Paperback 272 pages (November 2004)
Publisher: Laurence King Publishing
ISBN: 1856693864

Amatterofdesign: It’s a Matter of Promotion
Hardback 184 pages (March 2004)
Publisher: Victionary
ISBN 9628650440

100 Best Posters 02
Germany-Austria-Switzerland
Hardback 200 pages (June 2003)
Publisher: Schmidt, Mainz
ISBN: 3874396592

Insight: A Guide to Design with Low Vision in Mind
Authors: Michael Evamy, Lucienne Roberts
Hardback 304 pages (November 2003)
Publisher: RotoVision
ISBN: 2880466989

100 Best Posters 01
Germany-Austria-Switzerland
Hardback 200 pages (June 2002)
Publisher: Schmidt, Mainz
ISBN: 3874396588

:output 05
Paperback 192 pages, 2002
Verlag Pfeffer, Dieter Kretschmann
Publisher: Verlag Hermann Schmidt Mainz
ISBN: 978-3874396103

What Is Graphic Design?
Author: Quentin Newark
Hardback 256 pages (September, 2002)
Publisher: RotoVision
ISBN: 2880465397

GB: Graphic Britain
Author: Patrick Burgoyne
Paperback 208 pages (November 11, 2002)
Publisher: Laurence King Publishing
ISBN: 1856693112

Restart: New Systems in Graphic Design
Authors: Christian Kusters, Emily King
Paperback 176 pages (October 15, 2001)
Publisher: Thames and Hudson Ltd
ISBN: 0500282978
Baseline (UK)
Blueprint (UK)
Creative Review (UK)
DB Mobil (D)
Design Report (D)
Design Week (UK)
Eye Magazine (UK)
Graphics International (UK)
Horizont (D)
ish Magazine (Singapore)
Idea Magazine (Japan)
Lift Stuttgart (D)
Novum (D)
Page (D)
Print Magazine (USA)
Der Spiegel (D)
Spiegel Online (D)
W&V (D)
The Independent (UK)
Daily Telepgraph (UK)
The Guardian (UK)
Stuttgarter Zeitung (D)
Suddeutsche Zeitung (D)
The Times (UK)
Die Welt (D)
Welt am Sonntag (D)
BBC World Service (UK)
BBC London Radio (UK)
Mitteldeutscher Rundfunk MDR (D)
Deutsche Welle (EU)
Sky Sports (UK)
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talks & lectures
Type Talks
Royal College of Art London
Communication Art & Design Department
10/04/2008

Camberwell College of Arts
University College of the Arts London
14/05/2008

Zeitgeist vs. Tradition
FH Augsburg, Fachkolloquium
October 2007

Type Talks
Royal College of Art London
Communication Art & Design Department
12/12/2005

Professional Practice Lectures
University of Brighton
Kingston University
Kent Institute of Art & Design
North East Worchestershire College
1999–2000

PIRA Conference London
24-25/01/2000

Helen Hamlyn Reseach Centre
Symposium, London
11/10/2000

PSAG Talk and Discussion London
12/10/2000
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exhibitions
ADI Design Award Graphic Design Exhibition
10–13 September 2010, Phoenix International Design,
Zhuantang Town, China

10th Anniversary Exhibition Helen Hamlyn Centre
Royal College of Art London
24–30 September 2009

Common Threads Poster Exhibition
Emily Carr University, Vancouver
7-17 September 2009

3 Minutes
DAHRA (Designers Against Human Rights Abuse)
Booklaunch in The Gallery
Cork Street London, August 2009

Art Directors Club Gallery New York
4-26 June 2009

Type Directors Club Tokyo
Ginza Gallery, 3–25 April 2009

100 Best Posters 2002
Zentral- und Landesbibliothek Berlin
20 June – 16 August 2003

Change Your Life – Just and Frank
Billboard und Publication in Duke St Hill
London, 2002

100 Beste Posters 2001
Zentral- und Landesbibliothek Berlin
14 June – 17 August 2002

24 Hours Wall White II
Young Horses, Group exhibition,
The Old Jam Factory London
2001

Small Print
Helen Hamlyn Reseach Centre London
2001

Cow
Hockney Gallery London
1999

Poster Poster
Henry Moore Gallery London
1999

Transit
AV-Installation, Entrance Gallery London
1998

Reflectaphors
Photographic Installation
Gallery No.10 London
1996
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client list
Alexander von Humboldt Stiftung (Lemmens Verlag) (D)
Aram Store Gallery (UK)
Arnoldsche Art Publishers (D)
Accenture (IR)
Bolles+Wilson Architecture (D)
British Council (UK)
Business to Arts (IR)
Chez Vous (GR)
CILT, the National Centre for Languages (UK)
Cabanon Press (UK)
DAAD – German Academic Exchange Service (UK/D)
DfCSF – Department for Children Schools and Families (UK)
Fake Theatre Productions (UK)
Fraunhofer-Institut (D)
German Embassy London (UK)
German Post Office (D)
Goethe-Institut Head Office (D)
Goethe-Institut London (UK)
Heinemann (UK)
Helen Hamlyn Centre (UK)
Holy Mountain (UK)
ICA – Institute of Contemporary Arts (UK)
IHK Region Stuttgart (D)
Italian Cultural Institute London (UK)
Klingele Paperworks (D)
Lars Svenkerud Photography (N)
Laurence King Publishing (UK)
Lemmens Verlag (D)
Lenze Holding (D)
Lola GP (D)
London College of Communication (UK)
Merrell Publishers (UK/USA)
Metz/Racine
Naiv Records
Photography (UK)
Mitchell Beazley Publishing (UK)
Plevraki (GR)
Random House (UK)
RIBA – Royal Institute of British Architects (UK)
Royal College of Art (UK)
Royal Mail (UK)
Salvo Press (UK)
Second Hand Records Stuttgart (D)
Therium (UK)
Thurm & Dinges (D)
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ALL RIGHTS RESERVED
Unless otherwise indicated, all materials on these pages are copyrighted. No part of these pages, either text or images may be used for any purpose other than personal use, unless explicit authorisation is given by Brighten the Corners. Therefore reproduction, modification, storage in a retrieval system or retransmission, in any form or by any means — electronic, mechanical or otherwise, for reasons other than personal use, is strictly prohibited without prior written permission.
© copyright BRIGHTEN THE CORNERS 2009